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The House squanders a decent premise and a talented cast on thin characterizations and a shortage of comic momentum. The rare raunchy comedy that actually could have stood to be a little longer-and not just by padding the running time with outtakes. Instead of writing actual characters, they’ve hired a gaggle of beloved comedians to do bits based on stereotype and persona, and have c... On the weekends, watching it with a bunch of friends on the streaming platform or television would do better. Unfortunately, the hand that was dealt The House is a royal flush - but not the winning hand every poker player dreams of being dealt. The House is a strange and surprisingly dark film, a funny movie whose humor comes from unexpected places.
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Bob runs back to the town hall on foot to find the Johansens with the money. After chasing the Johansens, Bob reveals his personal interest with the casino money as well as his plot to steal money from the city budget for himself and Dawn, who leaves him and returns to her husband Joe. Bob is arrested, while Scott and Kate use the money they took back from him to pay for their daughter's college tuition. For example, The House surprisingly has two graphic scenes of bloody violence that elicit major laughs. This movie does not give one fuck about grounding itself in reality or dealing with consequences, setting up an anything goes vibe that works in conjunction with just how stupid the movie is. How is spending a ton of money on an underground casino to make cash possible but not simply paying off the tuition?
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Furthermore, unlike most modern comedies, The House is relatively short at 88 minutes, when most are bordering on two hours for absolutely no reason. The latest Adam Sandler Netflix creation actually pushed past two hours, which is just unholy. This movie seems to have a grasp on what works and what doesn’t as it tries to stick to the underground casino for the duration of its running time, getting in and out telling its cliché and predictable story. The house does indeed always win, even if the rewards here are slim at best. A dad and his friend start an illegal casino in his basement after he and his wife are robbed of their daughter’s college fund.
Storyline
Will Ferrell is playing a father who starts an illegal casino to get back their daughter's college trust fund in The House. It was about the parents who lost their daughter's college scholarship, now wants an alternative solution, so they decide to go illegal. Outside of the titular house, however, Cohen struggles with finding footing for the comedy, often relying on having Ferrell and Poehler behave loud and obnoxious.
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Mariah Carey was supposed to have a cameo in the film, but had what co-star Rob Huebel called "multiple unrealistic demands". The key ingredient to its passing grade is without a doubt the sheer madness that goes on in the illegal underground casino that Will Ferrell, Amy Poehler, and Jason Mantzoukas all collaborate on starting up in Jason’s basement. Also, this is one of those movies where there’s no point writing about characters by any name other than the actor that portrays them, so keep that in mind.
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The House is a solid, if unremarkable, big studio comedy with fleeting moments of humor peppered throughout its runtime. Our box office wrap-up for the weekend of July 2, 2017, featuring new arrivals such as Illumination's Despicable Me 3 and Edgar Wright's Baby Driver. This Ferrell and Poehler-powered comedy blockbuster has big laughs, an enjoyably grisly streak, and a film-stealing turn from Jason Mantzoukas. All these performers are given decent setups, but the script loses interest in anything that starts to look like a comedic through line. Running less than 90 minutes, "The House" is excruciatingly flat and goes on forever. The highly-anticipated animated sequel Despicable Me 3 easily takes the top spot at the box office this weekend with $75.4 million dollars.
Several thousand dollars away from reaching their goal, they are caught by Bob and Officer Chandler, who confiscate their money and order them to close down the casino. The house burns down after being invaded by Papouli, whom the Johansens set on fire. Having admitted their plot to Alex, they team up with Chandler, who had let them loose, to steal the money back from Bob. Chandler convinces Bob that the three continued the casino even after he had ordered them to stop, and shows a video of the people mocking him. Bob asks Chandler to go with him to arrest the Johansens at the casino, which gives the Johansens the chance to steal their money back. Dawn Mayweather, the town treasurer, alerts Bob that the Johansens are in the town hall, which convinces Bob to go back.
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Anyway, the goal for Ferrell and Poehler is admirably to pay off their daughter’s college tuition hiding from her the truth (the town essentially screws the family out of it), while Mantzoukas thinks that such an endeavor will win back his girlfriend. He has a serious problem with hygiene, but more importantly a gambling addiction, so his line of thinking is that if he becomes the house itself, there is no addiction. Although everything that goes on here is against the law and morally gray in some area, it’s a definite positive that the leads are likable with reasons to cheer on their shady operation. When Scott and Kate Johansen’s daughter gets into the college of her dreams it’s cause for celebration. That is, until Scott and Kate learn that the scholarship they were counting on didn’t come through, and they’re now on the hook for tuition they can’t begin to afford. The House is a 2017 American comedy film directed by Andrew J. Cohen, and co-written by Cohen and Brendan O'Brien.
“The House” is the rare raunchy comedy that actually could have stood to be a little longer—and not just by padding the running time with outtakes. Cohen cuts so briskly from each scenario to the next that they never register. And the most significant shift of all—the one that occurs within Scott and Kate—is the most extreme and the least plausible. Out of nowhere, she’s smoking pot non-stop and he’s reinvented himself as an enforcer known as “The Butcher.” They start wearing flashy, gangster-style clothing.
To make sure she gets in, they attempt to open a secret Casino in their home. Will Ferrell and Amy Poehler star as two loving parents who start an illegal casino to send their daughter to college in the trailer for The House. For every logistical inconsistency and nonsensical plot decision, it quickly becomes easier and easier to look the other way and roll with the loony tone like a pair of winning dice. It’s essentially a send-up spoof of Casino as much as it is another formulaic comedy starring the notable comedian. During their visit to Bucknell University, husband and wife Scott and Kate Johansen warn their daughter of the dangers of being in college.
And while The House isn’t an absolute disaster, it’s undeniable that th... The most insulting comedies are the ones that feel like glorified cast retreats. It's an interesting premise, but then when you watch the execution, it's awkward. Unless you're new to the Will Ferrell or Amy Poehler school of humor, this is as generic a "comedy" as you might expect.
Back home, Frank convinces the Johansens to start an underground casino at his house to raise money for Alex's tuition and to help him get his wife back. The casino operation proves to be running smoothly as they gain more customers. In another community town-hall meeting, Bob becomes suspicious at the low attendance and suspends the meeting to launch an investigation. Back at the Johansens' casino, Frank discovers that one of the gamblers, Carl, is counting cards. The Johansens and Frank confront him, but he brags that he works for mob boss Tommy Papouli.
Alex acknowledges her parents' warnings and expresses her interest in attending the same university her parents went to. Alex gets accepted to the university, which the Johansens expect to be funded by their community's scholarship program. One of the strengths of The House is its supporting cast, which includes a number of talented comedians like Mantzoukas, Nick Kroll, and Rob Huebel.
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